Day
8: Philadelphia
QOTD:
(This came from Laurie Anderson’s overview of life with Lou
Reed) Mingyur Rinpoche said "You need to try to master
the ability to feel sad without actually being sad."
Weather: Very clear, cool to very cool due to wind conditions
Pics:
Philadelphia Museum of Art, Leger, Stacey Lee Webber Studio
(Globe Dye Works), and many many pics from the SEI collection
Up too early, though it made it very easy to get in workout
at FitCtr, do a posting, and have yogurt and fruit and two slices of DB’s bacon
as well as read a bit of the paper.
This morning is the Philadelphia Museum followed by lunch at
the museum cafĂ©. The big show is Leger; he’s not great, the exhibit is quite
good with lots of other artists represented, silent movies and the music that
went with them, and plenty of space to see everything including a gigantic
backdrop piece. After Leger, we get an overview of the craft collection (and
very small exhibit) by one of the more enthusiastic curators in the country,
Elisabeth Agro (we saw her in 2009, as
peppy now as then!).
Then THB and DB wander over to see a few of the rare pieces
of Marcel Duchamp; they’ve mixed in Jasper Johns works, and you can really see
the influence of Duchamp on the greatest living American artist (on THB’s list,
Johns and Serra run a close 1-2).
Lunch is a composite plate of warm salmon, cold chicken,
potatoes, salad, and iced tea plus cookies for dessert. As good as it was in
2009 (same chef?).
Then a ride out to northeast part of Philly to visit a
jewelry artist, Stacey Lee Webber. She and her husband, also an artist, live
and work in a converted dye works (lots of big spools of thread were left
behind). Stacey did not have much for sale and thus didn’t sell much.
Back to the hotel for a short rest and then off to SEI, out
of town quite a ways in heavy rush hour traffic on a Friday night (and where
THB and DB visited as part of the 2009 trip). SEI is fascinating: they have a
totally modular (with no cubbies) approach to placing staff and they buy a lot
of art for displaying around the work place, at an average of under $10k per
piece (it used to be $5k).
Lee Stoetzel, Collection Director, leads us around at an
aggressive pace to make up for the traffic delays. The collection on display
has changed somewhat in four years and they’ve added a warehouse to hold the
ever-growing collection. We eat a catered meal (chicken, carrots, potatoes,
salad with cheese and nuts, wine, and flan with fruit and chocolate cake.
A great event, appreciated by all, and a much shorter ride
back (under an hour) with the easing of the traffic heading back to town.
I lived in this house for two years, long after Duchamp's "Nude Descending a Staircase" was gone.
ReplyDeletehttp://www.berkeleydailyplanet.com/issue/2009-02-05/article/32174?headline=East-Bay-Then-and-Now-Berkeleyan-Torrey-Owned-Duchamp-s-Most-Famous-Painting
Thanks for a vicarious visit to my homeland. (Western PA)