Day 4: Amsterdam to Munster (Germany)
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Across from the train station: a Skuptur Projekte info / bike rental station |
Weather: Warm in Munster (perfect in Amsterdam at 9:30, we are only out for
a few minutes on way to train station)
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Cosima von Bonin and Tom Burr sculpture: the truck, not the Henri Moore |
Quote of the Day: Conceptual art: work such that no one
knows what is going on
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The train driver: looking for the phone (not red, won't call Vladimir P. by mistake) |
Quote of the Day 2: 911 doesn't work in your section of track
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Our train is posted, the actual train is not the one sitting at our platform |
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Our train arrives: A white DB model |
Today we’re
in transit: check out of the Pulitzer (a great room, around $700/night); taxi to
the train station ($11) and catch the 10:34 towards Frankfurt, transferring at
Obenhausen at 12:24 (10 minutes to move over a few tracks) and arriving in
Munster at 1:40. Bought first class seats, $55/pp, and for the first leg we are
sitting in the front row…THB means the FRONT ROW, right behind the driver!
Awesome, dude!
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Our driver, phone to his left |
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THB's seat on the window |
So, when alarm
bells start ringing in the cockpit and the train starts slowing down, we are in
the midst of the action. Train stops: driver picks up phone and dials… someone
picks after maybe 15-20 seconds (“sorry, all our operators are busy, if you
wish to leave a message please press 911 now. Make sure you leave your return
number and where you are located”).
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Oberhausen sign on old part of train station |
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Our transfer train to Munster |
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In the old unused part of the Oberhauser station |
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What is this? A WWII relic? |
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Biz class on next train: 6 seat cabins |
Arrive
safely, on time, and the Kaiserhof hotel is across the street from the train station. We
paid a nominal fee ($40/pp?) to upgrade and the room is immense and the closet
is extremely functional. SC is here and we chat for a while before being called
to join the group. Except we’re called at least 5 minutes before the published
time and told we were late! UH OH, maybe this is gonna be a bit too Germanic for
THB.
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A bus with a door in the middle |
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Annette, our local guide: excellent, quick talker (in her second or third language), charming, very knowledgeable |
We’re here for
Skupture Projekte Munster (there are two dots over the u in Munster, so Moooo-nstir),
held every 10 years, Documenta in Kassel every 5 years and Venice Biennale every 2 years –
duh – thus meaning (if THB remembers factoring) that the trifecta is something that
occurs only every 10 years.
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Bruce Nauman: Square Depression |
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Friends in Depression? |
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Sany: Falling piece (he's got 3 pieces hung on sides of buildings) |
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The truck as seen from across the street; von Bonin and Burr |
There are
approximately 30 pieces installed for 5-6 months and then most are
de-installed; the city buys some every show and leaves them in situ. So, the
tour is made up of seeing a lot of the new and (hopefully) most of the old sculptures.
Plus Munster is loaded with re-installed older buildings, the city was 90%
destroyed during WWII.
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Small Serra in a hidden courtyard |
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Siam Armajani: Study Garden ... old piece |
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Knight added the level to the side of the museum (even temporary, the architect of the relatively new building not amused) |
A local
guide leads us through a small part of town at a breakneck speed, which is hard
to do in a congested downtown in a 50 seater bus. We get out several times for
quick views or art seen at a trot interspersed with short stops to catch our
breath while she talks…fast. Having said that, the pieces are very interesting,
she has much of interest to say (no wasted long-winded stories or asides), and
there clearly is going to be more here than we can see and absorb in a few
days.
There’s a map that lists all the current work and much of (all?) of the older pieces still up. You fans of THB will not be surprised: THB checks off everything (hopefully - we were going pretty fast!!) we saw, so here’s the count: 7 new artists (and 9 pieces, one guy did three); 5 old pieces.
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In the atrium of the LWL Museum: projected sounds of drones flying and projected images from the drones high up on one wall |
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Pretend you're hearing the drones now |
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The truck with the Moore in front, view from the LWL Museum (that's a member of our tour in front right) |
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Ludger Gerdes: one of several words hung high on buildings |
Back to the
hotel to catch our breath and change for dinner (tonight’s directive: dressy
casual…which means THB is at least going to get it half right). We have the
whole restaurant, Spitzner im Oershen Hof to ourselves, eating outdoors in
back. The menu is used to shield the candles to yield soft mood lighting. Food
is pretty good and once again the wine is okay to awful. What the hell has
happened to European wines? Climate change?
What we had in German, you’ll note that some things defy translation:
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Two kinds of butter |
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Bunter salat vam Markl mit Fruchtdressing |
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Gegrillter Pulpo, Partier Kartoffeln, Zweibeln und Sriracha - Mayonaise (THB had two of these!) |
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The other onne |
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Flankstreak, Rotweinzwiebehn und Bratkartoffeln |
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Le Menu |
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Tiramisu mit Madersufi aromatisiert, weifles Kaffeeeis, Paprika-Himbeeren (THB ate this dish in less time than it took to type, and THB isn't a fan of Tiramisu, this one was pretty damn good) |
Shots from around town:
6 of us
take the bus the 4/10ths of a kilometer back, the rest walk - and have no
trouble catching us while we wait for the two pound keys to be handed out at
the front desk.
Book Review: The Color of Lightning, Paulette Jiles: A terrific book, takes
place in the post-Civil War era in Texas and north into Indian territories. The
lead character is a recently freed slave from Kentucky who came west with his
family as they try to get established and subsequently become victims of Indian
raids. THB read this after earlier this year reading an earlier book by Jiles, News of
the World, also excellent. One minor character in The Color of Lightning, a
roving news-reader, is the primary character in News of the World, and the focus
is on the recapture and re-entry of a young girl taken by Indians. Highly
recommended, read both
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